Video ads that sell
Scripted, produced and edited for Meta, TikTok and YouTube. Vertical, captioned, hook-first, delivered in the variations you need to test properly.
Performance creative studio · English · Spanish · Portuguese
I write and produce the video ads, creatives and copy that make people stop scrolling — then I run the paid media behind them. Ten years of direct response, not decoration.
Production starts the moment the contract is signed. Creatives and copy in 24 hours. Video in up to 48, depending on render time.
Selected work
Every piece below was written first and designed second. The hook comes before the camera moves.


Long-form copy in carousel format
Ogilvy-school copy: a verifiable fact per slide, no adjectives doing the selling. Concept work, not affiliated with the brand.
What you actually get
Scripted, produced and edited for Meta, TikTok and YouTube. Vertical, captioned, hook-first, delivered in the variations you need to test properly.
A consistent on-camera face for your brand, generated and kept identical across every ad. No casting, no shoot days, no usage rights expiring.
Hooks, ad copy, landing pages, VSL and email sequences. Direct response, written to a structure, not to a mood.
Campaign structure, audiences, budget pacing and creative testing on Meta and Google. The person who wrote the ad is the person reading the numbers.
Feed posts, carousels, covers and templates built as a system, so your brand looks the same on the tenth post as on the first.
The same campaign in English, Spanish and Portuguese — written natively in each, not translated. One production cost, three markets.
How it runs
WhatsApp or email. Tell me the product, the offer and where you're stuck. I answer the same day with a scope and a price.
No discovery workshops, no kickoff decks. You sign, you pay the first half, and I start writing that day. Concepts and hooks reach you before anything is filmed or designed.
Copy, static creatives and carousels land within 24 hours. Video takes up to 48, because render time varies — sometimes it is ready the same evening. You see real creatives, not mood boards, and two rounds of revisions are included in every package.
If I'm running your media, campaigns go live and we test hooks weekly. If you're running it, you get files, specs and a testing plan.
Who you're hiring
I'm Suelen Monteiro. For ten years I've written copy and run paid campaigns for businesses in Brazil, the United States and across Latin America — launches, sales pages, VSLs, email funnels and ad accounts. I learned to write before I learned to design, which is why my creatives argue instead of decorate.
Most agencies split this work across four people: a strategist who never sees the ad, a copywriter who never sees the data, an editor who never reads the brief, and a media buyer who inherits whatever arrives. I do all four. That's why the work is faster and why the hook actually matches the landing page.
I work in English, Spanish and Portuguese, natively in each. For a brand selling to Hispanic audiences in the US, that's not a nice extra — it's the difference between one campaign and three.
Clients
“She rewrote one hook and our cost per purchase dropped by a third in ten days. We'd been blaming the audience for months.”
“We got the Spanish and English versions of the same campaign in the same week. No agency had ever offered us that.”
“The briefing was a fifteen-minute call. The first cut arrived four days later and we approved it without changes.”
Packages
$65 per hour for copy, editing, creative direction or account audits. Minimum of four hours, invoiced weekly. Good for one-off launches and for teams that already have a designer.
Payment
Half up front to start, half on delivery. Choose whatever is easiest for you:
Before you ask
The day you sign. There's no onboarding period and no kickoff deck. I ask for your product, your offer and your current ads, and I start writing immediately. Copy and static creatives are with you within 24 hours; video takes up to 48, since render time varies from one piece to the next.
No. I build the on-camera talent, the voiceover and the scenes. If you already have footage or a founder who wants to appear, even better — I'll use it.
Then take Starter or Growth. You get the creatives, the copy and a testing plan, and your buyer runs them. I hand over organised files and specs, not a folder of exports.
Yes, and I write them to pass ad review. No disease claims, no promises of cure, correct disclaimers. A rejected creative costs you more than a cautious one.
Yes. Written natively, not translated — different hook, same offer. It's included in Performance and available as an add-on to the other packages.
You tell me what's wrong and I rewrite it. Revisions are included in every package. I'd rather redo a hook than watch you spend budget on one that doesn't work.
Every week without fresh ads is a week your audience sees the same thing and scrolls past it. Send me a message now and your first creatives are in your hands tomorrow.